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Writing, Who's Telling The Story?
by Scott Lindsay
The point of view in any story is important because it provides a guide to manage the execution of your story. Most works of fiction use one point of view although a second perspective can be brought into the story for a short period of time.
Third Person Perspective is the most common method of conveying a work of fiction. This method allows the narrator to have at least limited omniscience. The narrator has limited access to the knowledge and feelings of the characters in the story and can take the reader from one character setting to another easily. There is no questioning of how the narrator knows so much about each individual; it is a premise that is simply accepted by most readers.
Unlike first person perspective that conveys the story from the perspective of a cast member, third person perspective narration does not allow the narrator to actually participate in the action. They are simply the mechanism that operates outside the story to bring the various story threads together.
If a writer were to give the narrator full access to all feelings and thoughts of the cast of characters the story would be a little flat because nothing would be left to the imagination.
Third person narratives can be spotted by the predominate us of words such as they, he, she and it. The narrator talks about others - never about himself.
The least common perspective is Second Person Perspective. Very few novels can utilize this approach throughout an entire work.
This type of fiction relies on words like you and you're. The use of this type of perspective either assumes you will connect with the story as if it is written to you or that you will understand you are reading a private story written to and about someone else. It is rare to find a full manuscript that uses this perspective although an Epistolary Novel such the C.S. Lewis masterpiece “Screwtape Letters” may likely be considered second person perspective in its entirety.
The trouble many writers get into is an unintentional shift in perspective. This can be used effectively under certain circumstances, however the shift in perspective needs a breaking point to allow the reader to gain some understanding that a shift has taken place. Without a break to qualify the shift in point of view the story becomes confusing because the reader has to work hard at discovering who is actually telling the story.
About The Author: Scott Lindsay is a web developer and entrepreneur. He is the founder of FaithWriters (http://www.faithwriters.com) and many other web projects. FaithWriters has grown to become one of the largest online destinations for Christian writers. Please visit the website at: http://www.faithwriters.com
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The information provided in this article is the express opinion of the author. Exchangenet is not responsible for the content!
The point of view in any story is important because it provides a guide to manage the execution of your story. Most works of fiction use one point of view although a second perspective can be brought into the story for a short period of time.
Third Person Perspective is the most common method of conveying a work of fiction. This method allows the narrator to have at least limited omniscience. The narrator has limited access to the knowledge and feelings of the characters in the story and can take the reader from one character setting to another easily. There is no questioning of how the narrator knows so much about each individual; it is a premise that is simply accepted by most readers.
Unlike first person perspective that conveys the story from the perspective of a cast member, third person perspective narration does not allow the narrator to actually participate in the action. They are simply the mechanism that operates outside the story to bring the various story threads together.
If a writer were to give the narrator full access to all feelings and thoughts of the cast of characters the story would be a little flat because nothing would be left to the imagination.
Third person narratives can be spotted by the predominate us of words such as they, he, she and it. The narrator talks about others - never about himself.
The least common perspective is Second Person Perspective. Very few novels can utilize this approach throughout an entire work.
This type of fiction relies on words like you and you're. The use of this type of perspective either assumes you will connect with the story as if it is written to you or that you will understand you are reading a private story written to and about someone else. It is rare to find a full manuscript that uses this perspective although an Epistolary Novel such the C.S. Lewis masterpiece “Screwtape Letters” may likely be considered second person perspective in its entirety.
The trouble many writers get into is an unintentional shift in perspective. This can be used effectively under certain circumstances, however the shift in perspective needs a breaking point to allow the reader to gain some understanding that a shift has taken place. Without a break to qualify the shift in point of view the story becomes confusing because the reader has to work hard at discovering who is actually telling the story.
About The Author: Scott Lindsay is a web developer and entrepreneur. He is the founder of FaithWriters (http://www.faithwriters.com) and many other web projects. FaithWriters has grown to become one of the largest online destinations for Christian writers. Please visit the website at: http://www.faithwriters.com
These articles on lifestyle and more
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Return to the selection of writing
You may want to try these articles on writing
Writing, The Usefulness Of Outlines For Article Writers by Terry Detty Approximately 819 Words
Writing, Finding A Literary Agent You Can Work With by Ken Snodin Approximately 519 Words
Writing, How To Write Better Business Letters by Brian Konradt Approximately 1014 Words
Writing, Chick Lit: Which Comes First, The Chick Or The Lit? by Laurel Osterkamp Approximately 1097 Words
Writing, Writing With A Bird's Eye View by Pat Marcello Approximately 335 Words
Writing, Writing A Novel On Your Lunch Hour by Corey Fayman Approximately 1099 Words
Writing, Doctor, Doctor, Give Me The News by Scott Lindsay Approximately 457 Words
Writing, Have Pen - Will Write by Scott Lindsay Approximately 414 Words
You may want to try these websites for additional information
http://owl.english.purdue.edu/owl/
http://fans.papervixen.net/writing/
http://owl.english.purdue.edu/workshops/hypertext/ResearchW/
The information provided in this article is the express opinion of the author. Exchangenet is not responsible for the content!
